Installation view

Equorea (di mari, ghiacci, nuvole e altre acque ancora) – 10/12. Ludovico Bomben

ph. Simone Panzeri

 

Ludovico Bomben
Nuvola con fendente / 2, 2023
print on superior matte paper, stainless steel

50 x 30 cm

 

Ludovico Bomben
Nuvola con fendente / 3, 2023
print on superior matte paper, stainless steel

176 x 110 cm

 

Installation view

Equorea (di mari, ghiacci, nuvole e altre acque ancora) – 10/12. Ludovico Bomben

ph. Simone Panzeri

Equorea – 10/12. Ludovico Bomben

29.09.2023 – 27.10.2023

From September 29th to October 27th 2023, BUILDINGBOX presents the artworks Nuvola con fendente /2 e Nuvola con fendente /3 by the artist Ludovico Bomben (Pordenone, 1982).

 

In meteorology, a cloud is a hydrometeor consisting of minute particles of condensed water vapour and/or ice crystals, suspended in the atmosphere by updrafts or in a buoyant state and usually not in contact with the ground. With the clouds comes precipitation, one of the phases of the water cycle in the hydrosphere along with water vapour condensation.
For the project Equorea (of seas, ice, clouds and other waters) presented in BUILDINGBOX, Ludovico Bomben offers a reflection on the identity of the material and the complexity of its manifestations, as well as the human capacity to perceive it. Two prints show a solitary cloud run through by a foreign object that seems to come from a mysterious place, a slit. A metaphorical representation of the relationship between the material and the immaterial, the image expresses this duality in an attempt to capture what usually escapes human perception: the atmosphere and the beyond. The cloud, made of water vapour, is impalpable, light, indefinite; the slit, however surreal, is solid, sharp, tangible matter. Like a sudden blow, the slit bursts through the thin paper, piercing it, disrupting its surface with a definitive hole. It awakens doubt in us as to whether it is a heavenly vision or the complexity of reality in action. Is the relationship also a material thing then?

 

The exhibition is the tenth appointment of Equorea (of seas, ice, clouds and other waters), a project curated by Giulia Bortoluzzi, which involves, from January 7h, 2023 to January 9th, 2024, twelve Italian contemporary artists invited to explore the topic of water in twelve monthly solo shows, scheduled in a sequence that follows the lunar calendar.

The title references Eugenio Montale’s poem Falsetto (1923), published in the collection Ossi di Seppia (1925). The poem revolves around a girl called Esterina, described as an ocean creature (“equorea creatura”), and frames the sea as a metaphor for life and the wonder of living without worrying about the future: “The power that tempers you is water, in water you find and renew yourself.” Montale’s work picks up on the way we habitually associate water with life, a notion echoed by Mircea Eliade in A History of Religious Ideas (1949), which describes it as the total of all “virtualities”, the matrix for all potential life, the foundation of the whole world. Water is at the origin of all cosmic manifestation, symbolizing the primordial substance from which all forms arise, and to which they return, by regression or cataclysm. Water lies at the beginning and end of every historical or cosmic cycle. It will always exist, and never be alone, because it is germinative, encompassing the virtualities of all forms in its own undivided unity. In cosmogony, mythology, ritual, and iconography, water performs the same function: it precedes all forms and sustains all of creation. A symbol of life, it gives universal becoming a cyclical structure.

 

Following the cyclical pattern of the astronomical tides (which occur when the Moon, Earth and Sun are in alignment), at each full moon in the year 2023, BUILDINGBOX will play host to the work of twelve Italian contemporary artists, who have been asked to explore the theme of water: Ludovico Bomben (Pordenone, 1982), Jaya Cozzani (Mumbai/Kanchipuram, 1982),  Barbara De Ponti (Milano, 1975), Gaspare (Terlizzi, 1983), Michele Guido (Aradeo, 1976), Silvia Mariotti (Fano, 1980), Fabio Marullo (Catania, 1973), Elena Mazzi (Reggio Emilia, 1984), Ignazio Mortellaro (Palermo, 1978), Fabio Roncato (Rimini, 1982), Michele Spanghero (Gorizia, 1979), Virginia Zanetti (Fiesole, 1981).

 

The works presented in Equorea (of seas, ice, clouds and other waters) are site-specific (some are being exhibited for the first time, others are reworkings of previous pieces) and conceive of water as an emblem of all natural elements, and more generally as a form of life and creative potential. As a topic, water not only intrigues and inspires, but also elicits specific reflections on the future of our planet. Indeed, the life of all organisms on Earth depends on the presence of water and is shaped by its mutations: when it deteriorates, life becomes unsustainable.

There is as yet no proven scientific explanation of the origin of water on our planet. Whether generated by comets or meteorites crashing to earth, or volcanic eruptions in distant millennia, in the collective imagination it is associated with the mythological moment of creation, which contains the potential existence of all forms of life.

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