Remo Bianco at the exhibition at the Zen Gallery in Brescia in 1966 with a model wearing the 3D dress designed by the artist.
Cover of the volume Remo Bianco: il periodo 3D by Adriano Altamira, published by Electa (Milan, 2024)

Presentation of the book “Remo Bianco: il periodo 3D” – MuseoCity

06.03.2025, 17:30

Presentation of the book Remo Bianco: il periodo 3D

On the occasion of the exhibition Remo Bianco. Un omaggio al periodo 3D 

 

Thursday, March 6th, 2025, at 5.30PM

BUILDING TERZO PIANO

 

the guests will be:
Adriano Altamira, Author
Riccardo Gianni, Remo Bianco Foundation’s President

Paolo Campiglio, Art historian

Flaminio Gualdoni, Art historian and contemporary art critic

 

The event will be held in Italian.

RSVP required, limited access: events@building-gallery.com, +39 02 89094995

 

 

The exhibition Remo Bianco. Un omaggio al periodo 3D hosted in BUILDING TERZO PIANO is also the ideal setting for the presentation of the book Remo Bianco: il periodo 3D di Adriano Altamira, published by Electa (Milan, 2024), which will be held on Thursday, March 6th, 2025, at 5.30PM in the presence of author Adriano Altamira, Art historian Paolo Campiglio, Remo Bianco Foundation’s President Riccardo Gianni, and art historian and contemporary art critic Flaminio Gualdoni. The book examines the various stages of the invention of this creative hypothesis starting with the first exhibition in 1953, presented by Lucio Fontana at Galleria Montenapoleone.

 

The essay, attentive to the philological development of this creative phase, examines the elaboration of the project, which in proposing works scaled on multiple planes, mixes all previous experiences from figurative to spatialist and nuclear. Thus, several types of 3Ds are created, from the transparent and linear ones, to the pictorial ones, up to the opaque 3Ds that Gillo Dorfles found to be the best kind, and which are definitely the culmination of this research, both in the lacquered wood versions and in the metal or colored Plexiglas ones. They appeared even ahead of Lucio Fontana’s Teatrini.

 

Text by Adriano Altamira

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