Fabrizio Cotognini
Hybridatio Mundi (detail)
2011
bronze cast microfusion, Guatemala green marble

dimensions variable
ph. P-38 studio

 

Fabrizio Cotognini
Tesla Mobile – Nikola Tesla
dalla serie Distopie
2024
pencil, ink, biacca and watercolor on original 18th Century etching
70 x 100 cm
ph. P-38 studio

 

Fabrizio Cotognini
L’Androgino e il Doppio #6
2024
biacca, white ink and 24K gold leaf on black French paper
42 x 30 cm
ph. P-38 studio

 

Fabrizio Cotognini
Il Puro Folle, L’Androgino
dalla serie Parsifal
2024
pencil, ink, crayon, biacca, watercolor and mylar on original 18th Century etching
50 x 35 cm
ph. P-38 studio

 

Fabrizio Cotognini
Rosae
2024
ink, pencil, crayon, mylar on original 18th Century etching,
54 x 36 cm
ph. P-38 studio

 

Fabrizio Cotognini
The Song of the Stars – John Dee
dalla serie Mappe Celesti
2025
biacca, pantone, watercolor, ink
110 x 110 cm
ph. P-38 studio

Transitum

03.04.2025 – 19.07.2025

Transitum
solo show of artist Fabrizio Cotognini
curated by Marina Dacci

from April 3rd to July 19th, 2025
opening: Wednesday, April 2nd, 2025 from 5PM to 8PM

 

Additional Exhibition Venue

from April 3rd to July 5th, 2025
GALLERY MOSHE TABIBNIA
via Brera 3, 20121 Milan
Tuesday – Saturday, 10AM – 19PM

 

From April 3rd to July 19th, 2025, BUILDING GALLERY presents Transitum, a solo exhibition of artist Fabrizio Cotognini, curated by Marina Dacci.

 

The exhibition – the artist’s first solo project in the gallery’s spaces – is conceived as an excursus on his artistic research, articulated in several chapters, which are fluidly woven into the exhibition space in a web of connections.

In this structured path, BUILDING GALLERY houses a vast selection of more than 90 works, including microcastings, sculptures, installations and drawings, some of them made on 18th Century engravings, of which Cotognini is a passionate collector.
The exhibition explores and draws heavily from iconographies of the past inspired by epics, mythology, and alchemy.

 

In this macro-narrative, concepts of transformation, memory, identity, and knowledge take shape: in these the power of the imagines agentes actualize our relationship with the ancient to interrogate our present.
Thus, the figurative elements of the imagines agentes act as temporal condensations capable of activating our memory.

 

As curator Marina Dacci observes, “The title of the exhibition becomes a metaphor for the artist’s own posture aimed at continuous research. Transitum narrates an infinite potential of both matter and human nature: nature in relation to man overbearingly appears throughout the exhibition, literally in a bird’s eye view.”

 

The exhibition project will run, from April 3rd to July 5th, 2025, in Gallery Moshe Tabibnia , where the artist proposes a dialogue woven around the figure of the swan, a mythological animal whose iconography crosses the history of art.

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